مرسله في
ايرون مان 2 نزل DVDRip --------------- مسعود ٍSplice جفت اول 10 دقايق ونمت عنه ,,,لول مو قصدي بايخ بس مادري احسه مابيعجبك + جرب فلم من الافلام ذي تطالعه The A-Team My Name Is Khan Robin Hood Seed << الفلم ماجفته بس احسه بايخ فلازم تجوفه,,فيه حومه جبد لول
ولين تذكرت شي باقولك
-------------------- - المشاركات: 1236 | من: Bahrain | تاريخ التسجيل: يناير 2009
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مشكورة على لنك الموضوع.. فعلا استديو جيبلي ينتجون أعمال كلاسيكية وماتنسى.. Spirited Away أكيد أحلى عمل الهم للحين.. فلم كلاسيكي صعب الواحد يمل منه Howl's moving castle و بونيو بعد بنفس المستوى.. الحين صارت عندي فكرة عن أعمالهم القديمة وبدور عليها.. ببدا بWhisper of the Heart .. مبين من اسمه انه توحفة
-------------------- [ المشاركات: 7335 | من: الامارات | تاريخ التسجيل: يوليو 2003
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رد مقتبس:This is Carey Mulligan’s movie and she is a near-lock to garner her second Oscar nominations in two years – really two years as a movie actress – for her work.
Keira Knightley, who in some ways has the most thankless role, seems to improve as her choices become clearer and clearer as the film warms in memory.
Never Let Me Go is a masterpiece… a film we’ll be discussing, frame by frame, in schools, 20 years from now. I can only hope that this doesn’t mean it will be underappreciated now.
رد مقتبس: It’s a love triangle story, but with a conceptual twist, which I won’t dare spoil… There are many great elements to the film: Adam Kimmel’s very beautiful cinematography, Carey Mulligan’s phenomenal performance (she’s primarily the focus of the film), Rachel Portman’s mesmerizing score, Mark Romanek’s careful direction, even the concept and story overall…
It admittedly takes quite a bit for me to get fully emotionally invested in a film and its characters, but Never Let Me Go achieved that. I was sucked into the story and couldn’t let go myself, even believing the hope that was in the mind of the characters, despite realizing afterward that they wouldn’t have possibly reached the resulted I wanted to see anyway (sorry for being so vague about it).
رد مقتبس:This extreme approach requires a level of commitment not only from the cast but from the audience as well, asking us to look past huge plausibility holes (the whole donor system seems terribly inefficient) and instead dedicate our attention to deciphering the subtlest of nonverbal cues, often aided by Rachel Portman's effectively grief-inducing score and Adam Kimmel's lensing, which transforms every image into a source for introspection. A few faint wisps of narration aside, Mulligan does most of her work without dialogue, relying on engaged auds to piece together what Kathy is thinking.