______________ -:- القصة -:- هي تحكي قصة رومانسية تجري أحداثها في أربعة أزمنة مختلفة. تؤدي فيها (كيرا نايتلي) دور الشابة (سيسليا تاليس) التي تشعر بميل تجاه ابن الخادمة (روبي تيرنر)؛ لكن التهمة التي وجهت إليه باغتصاب ابنة عمها (لولا) ذات الخمسة عشر عاما تجبرها على طمس عواطفها الحقيقية. ______________ -:- CAST -:- ______________ -:- MOVIE STILLS -:- ______________ -:- Behind the scenes -:- ______________ Atonement trailer AVI 22.3mb Atonement trailer #2 MOV 10mb BBC Atonement preview WMV 1.48mb ______________ -:- Atonement at Venice Film Festival -:- Italian newspaper "Il Corriere della Sera" wrote that Atonement will open 64th Venice Film Festival. It will take place in the Lido of Venice from August 29 to September 8, 2007. The festival director Marco Mueller said in a statement: "For the first time in its history, the opening film is the work of a young director," He also said the selecting committee considered the film "to be even greater than some of the major films of many confirmed directors." -:- Atonement at Golden Globes -:- Atonement won Best Film - Drama at last night's Golden Globe Awards, and Dario Marianelli won for Best Original Score. ------------- |
رد مقتبس:
هذا موقع الفيلم و دوم تحصلوني السباق في هالسوالف دام انه كيرا موجودة
رد مقتبس:
According to the site Daily Mail, Keira has confirmed her presence in a new movie call The Duchess which will be based in the book Duchess of Devonshire written by Amanda Foreman and will be directed by Saul Dibbs. The filmings should begin in October.
Keira Knightley will portray one of the most hunted women of her age, a celebrity who married an aristocrat - and just about the only man alive who wasn't in love with her.
No, not Diana, Princess of Wales, but one of her distant kin.
The fifth Duchess of Devonshire was a social powerhouse of the 18th century and Keira will portray her when cameras roll on The Duchess in October.
Born Lady Georgiana Spencer, a great-great-great-great aunt of Diana's, she married the fifth Duke of Devonshire in an arranged marriage, becoming one of the great political hostesses of the era.
She was a smart, ambitious woman who lived life to the full, took lovers and gambled heavily.
According to Amanda Foreman's mouth-watering biography of Georgiana, upon which the film will be based, the duchess's closest friend Lady Elizabeth Foster (known as Bess) became the duke's mistress.
For two decades, Georgiana and Bess shared favours with the duke.
There are other fascinating tales of Georgiana's aristocratic lifestyle, but to learn more you'll have to either read Foreman's award-winning book or wait till director Saul Dibbs's film comes out next year.
Keira had been hoping to have time off this autumn, but couldn't resist the part when she was sent the script, written by Jeffrey Hatcher with some revisions by Dibbs.
رد مقتبس:بس 80% من الأوقات اللي يحطونها في الmore detailed section تكون صح
من ناحية تورايخ العروض هالموقـع ساعات يصيب وساعات يخيب
رد مقتبس:انت اشفهمك بالموضة
المرسل الأصلي هو randomly:
شكلها حلو بس لهاي الدرجـة الي مسوية الفستان عيزانة تحط قطعة عالفتحـة لول
رد مقتبس:
Greek Tragedy : "Basically, my body type is naturally thin. There is nothing I can do about it." For years, Keira Knightley has kvetched about the media's fascination with her fat-free figure, which begs the question: If the sylphlike but still stunning starlet is so concerned about the attention paid to her attenuated body, why attend the premiere of her critically acclaimed new film "Atonement" draped in a Rube Goldberg-like Rodarte gown that leaves her body wide open to dissection? Keira defiantly bares her cheese-slicing clavicles and jutting sternum in a Statue of Liberty-meets-"The Mummy" couture creation, which might be perfect for prom night at Wonder Woman's School for Wayward Amazons but on the red carpet is a dingy, intricately knotted toga no-no. Alas, not even the actress' complementary tiara-topped tresses and ethereally made-up (if worryingly somber) visage can distract from the tired, poor and huddled masses of fabric that are yearning to breathe free. (Ferdaus Shamim/WireImage.com
رد مقتبس:Special Dedication to 7amood Tinino
KEIRA KNIGHTLEY
BY TIM BLANKS
IT'S BEEN SAID THAT AT THE RIPE OLD AGE OF 3, KEIRA KNIGHTLEY TURNED TO HER PARENTS AND DEMANDED AN AGENT. THREE YEARS LATER SHE GOT ONE. AND THAT WAS JUST THE BEGINNING. PLUS: WEB-EXCLUSIVE IMAGES
Elizabeth Taylor wasn't yet 20 when she starred opposite Montgomery Clift in A Place in the Sun (1951). Her pell-mell rush to womanhood is Hollywood's most striking illustration of how arbitrary age can be. And now here's Keira Knightley to underscore the point. Arranging her body in front of Sam Taylor-Wood's lens, she is as self-possessed and resolute (it's all in the jut of that jaw) as any screen queen from the golden age. Dietrich, Davis, Hepburn . . . it's their starry frost Knightley reflects in these images—and in her latest film, Atonement—rather than the substance-sodden, panty-free crassness of her peers. But Keira comes undone when she laughs. She turns back into a girl. The transformation is as merciful as it is unexpected. So much otherworldly womanliness in one so young would otherwise be too . . . too terrifying.
TIM BLANKS: How was the photo shoot?
KEIRA KNIGHTLEY: We ended by taking my clothes off again. How does that always happen?
TB: Why do you think?
KK: I don't know. Because I say yes, I suppose.
TB: Do you ever get the feeling people are looking at you as an old-school movie star?
KK: I think it has more to do with the films I've done. If you watch Atonement, the look of my character, Cecilia Tallis, is incredibly stylized and sort of movie star–esque for that time. But I think different people have seen me in different ways. I started out being very much "girl next door," and now I've gone into a bit of a Hollywood-glamour phase.
TB: Did you relate to the Hollywood-glamour thing when you were growing up?
KK: I think it's wonderful to have those aesthetic fantasies. Those films pretend that you can wake up in the morning with bright red lipstick and perfect false eyelashes and hair; I like that.
TB: Are movies an escape for you?
KK: Absolutely! I always loved being transported to another time and place, and I love to be carried away in a fantasy.
TB: When you're watching it or when you're making it?
KK: When I'm watching it. When I'm shooting I feel like I'm on pause much of the time, because there's a lot of waiting around. You can't focus on anything else, but you can't be completely in the story all the time, either, because there are 20 minutes between takes.
TB: But you're staying in character, obviously, during that pause period?
KK: When you stay focused on something, I suppose a part of the character rubs off on you and you don't want to entirely leave that fantasy world—you have to have a bit of it in your head to be able to keep performing. But I didn't have the posh English voice of Atonement 24/7, nor was I that tense 24/7, because I couldn't handle that.
TB: Did Cecilia stay with you afterward?
KK: No. Occasionally her voice comes out, but only when I'm taking the piss out of someone.
TB: But I imagine her sadness would put you in touch with something in yourself that would be there forever.
KK: I don't know if she put it there. People are many different things at once—we can be complete wankers one minute and totally fantastic the next. I think any good character is understandable on different levels. That's what I like about Cecilia. Her emotions don't rub off on me, because I've decided to give her whatever emotions I wanted to; they were there to begin with.
TB: There were so many species of loss in the film—there's the loss of a girl, the loss of a woman, the loss of a love. Which did you relate to the most?
KK: All of them. That's the power of it. Everybody has regrets. Everybody feels guilty about something, though hopefully not for something as bad as what happens in the movie. But that's what is wonderful about the book and the film—you understand where these people are coming from. The situation may be completely different from ones I've experienced or that most people have experienced, but the core emotions are the same—that we all make mistakes, and sometimes we're horrendous to each other. It's the Robbie character [played by James McAvoy] that I find truly heartbreaking, because at the beginning he's really Christ-like in his goodness—he's a selfless, perfect person—and in a funny way I don't think we can ever handle it when someone is that good, so what we do is destroy them.
To read the complete interview with Keira Knightley, pick up the December/January issue today.
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رد مقتبس:ماشالله عليكم الحين بتريا شو اختياركم لفلم عام 2008
عشان تعرف ذوقنا انا وتنينو شلون بالأفلام مانحط عيونا الا على الزين
والشين حوالينا
رد مقتبس:نهاية الفلم مأساوية حمود بس الحمد الله
الا تعال ميود ما تكلمت عن مشاهد الفيلم .. مثل أخر مشهد و شو أحلى مشهد عندك
رد مقتبس:
المرسل الأصلي هو 7aMoOd_BaGhDaD:
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رد مقتبس:مبروووووووووووووك حمود تستاهل عقبال التخرج انشالله
بس هالمرة ياي عندكم بشهادة ايلتس بعد الفشل في التوفل
رد مقتبس:هو الفيلم كتير حلو ونفس التفاصيل الي انت ذكرتها والي ذكرتها هديل انا نفس الشي وصلني الفيلم
ريمي من زمان و انا اقولج شي بس انسى لول
يا ريت تكتبين رايج بالتفصيل عن الفيلم .. والله ابا اعرف رايج
رد مقتبس:
المرسل الأصلي هو علوووش:
رغم اني حرقت عحالي برد باربي لوول
رد مقتبس:
المرسل الأصلي هو ALTENNEEN:
تنينو المفروض تغير العنوان ل ليتك ما شفته بالتعبان
رد مقتبس:أفا.. كنت ناوي أسوي مقلب في حمود وأقوله اني
المرسل الأصلي هو KHaLaF:
حمود : استحاله ميود يكون اخونا
احفر قبري بنفسي واذبح عمري ولا يكون عندي اخو متحجر القلب مثل ميود . خخخ امزح
لا تطمن موب اخونا
رد مقتبس:حمود خلاص بقولك السر وبتوكل على الله.. أصلا أنا أكبر
المرسل الأصلي هو ALTENNEEN:
لووووووووووول ... حمووووووووود كسرت خاطري والله خلاص بقولك الصراحة
ميود هو أخوي .. بس خليفة اربيعي الروح بالروح من زمان و نحنا يهال
رد مقتبس:
المرسل الأصلي هو 7aMoOd_BaGhDaD: